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Luther

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Germany, United States · 2003
Rated PG-13 · 2h 3m
Director Eric Till
Starring Joseph Fiennes, Jonathan Firth, Claire Cox, Alfred Molina
Genre Drama, History

During the early 16th Century idealistic German monk Martin Luther, disgusted by the materialism in the church, begins the dialogue that will lead to the Protestant Reformation.

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What are people saying?

What are critics saying?

60

Washington Post by

It's just unfortunate that a movie about such a daring man ultimately takes few risks.

50

Christian Science Monitor by David Sterritt

Plunges energetically into the 16th-century religious rebel's activities and philosophies. It dodges some significant issues in Luther's life, however, reducing its value as an educational film.

60

Dallas Observer by Jean Oppenheimer

With Joseph Fiennes as the conflicted, frequently self-hating Luther, this historical drama/biopic offers a fairly thorough overview of the period (although it's weak on the "good deeds" angle) but is somewhat dry and weighted with significance.

60

The A.V. Club by Keith Phipps

The unimposing Fiennes may not suggest the burly Luther's plain-talking peasant background, but he at least captures the charisma.

60

Los Angeles Times by Kenneth Turan

After a summer of numbing mindlessness, there is something frankly refreshing about a movie that deals even superficially with as significant a figure as the rebellious 16th century theologian Martin Luther, one of the founders of Protestantism and the man who put the reform in the Reformation.

20

L.A. Weekly by Scott Foundas

British director Eric Till’s ghastly Euro-pudding co-production (with all the international accents and badly post-synchronized dialogue that implies) manages to make a travesty of its title subject.

40

The New York Times by Stephen Holden

As the film veers uncertainly between meticulous historical recapitulation and shameless hokum, it brings enough characters to populate a mini-series. When the historical details become too clogged, the movie shamelessly overcompensates by wallowing in cheap sentimentality.

75

Seattle Post-Intelligencer by William Arnold

Veteran British director Eric Till otherwise does a credible job of sweeping us through this huge life, and his eye for detail combines with the Oscar-worthy production design and a succession of striking Eastern European locations to create a rich visual tapestry of the Middle Ages.

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