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Microbe and Gasoline(Microbe et Gasoil)

✭ ✭ ✭ ✭   Read critic reviews

France · 2015
Rated R · 1h 43m
Director Michel Gondry
Starring Audrey Tautou, Sacha Bourdo, Fabio Zenoni, Laurent Poitrenaux
Genre Comedy

Shy, aspiring artist Microbe struggles to make friends until he meets likeminded outcast Gasoline. Together, they embark on an epic road trip across France in a vehicle they built themselves.

Stream Microbe and Gasoline

What are people saying?

What are critics saying?

91

Entertainment Weekly by

By the end of Microbe & Gasoline, we feel a little closer to the boy who made the man behind the camera as a result.

80

Time Out by David Ehrlich

From its mundane beginnings to its melancholy closing grace note, Microbe and Gasoline is such a wonderfully touching film because it remembers the urgency of wanting to get older without growing up.

75

Slant Magazine by Ed Gonzalez

Microbe and Gasoline is enervating for both relishing whimsy and looking behind it to absorb the yearnings of youth and its attendant complications in all their nakedness.

75

IndieWire by Kate Erbland

At nearly 105 minutes, Microbe and Gasoline runs out of steam in its second act, but the majority of this sweet, sensitive ride is a real treat.

80

The Guardian by Leslie Felperin

If this film were a person, you’d want to give it a big hug, as you would a gawky teenager, and reassure it that it will be tough out there, that not everyone is going to get its idiosyncratic charms, but that’s OK because it’s awesome just the way it is.

83

The Playlist by Nick Schager

Buoyed by a script brimming with authentic back-and-forth ribbing and confessional exchanges, newcomers Baquet and Dargent exhibit an alternately ribald and frank rapport that, like the film itself, taps into the volatile anxiety of finding one’s self.

70

Variety by Peter Debruge

With Microbe and Gasoline, the French writer-director has wisely restrained his usual flourishes, allowing the two teenage leads in his relatively calm summer-vacation coming-of-age comedy to assume centerstage, imbuing them with creative agency rather than forcing them to compete with the film’s own style.

90

The New York Times by Stephen Holden

Time and again, Microbe and Gasoline risks cuteness without going overboard. Too easily taken for granted, its accomplishment is its ability to gaze steadily with warmth but minimal sentimentality at the world through unjaded 14-year-old eyes.

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