Already a master of the objective eye, Ramos uses her unobtrusive camera to uncover the frustrations inherent in a vastly imbalanced society where hope is scarce and the future is dim.
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80
70
With its unobtrusive visual style, Justice plays like a near-parody of documentary objectivity, subtly suggesting the malleable nature of "truth," both in the courtroom and the movie theater.
50
The New York Times by Neil Genzlinger
Over all, though, the hands-off approach leaves the viewer to draw his own conclusions, but without providing enough information.
75
Because Justice is from the Wiseman school of documentaries, there's no narration and people don't share their thoughts with the camera, which means the movie can come off as a little hollow.