Almost every element of the film has been seemingly engineered to be the ne plus ultra of slapdash ineptitude.
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The title of this movie proves unusually apt: You will figure out its climactic plot twist within the first 10 minutes.
Miller demonstrates even less conviction than his writers, relying on frequent flashbacks to fill in backstory that’s not evident from the main plot and substituting CGI exteriors for actual locations. His workmanlike approach conveys the essentials without delivering many of the thrills or stylistic flourishes that the genre demands, adequately fulfilling a familiar expectation for forgettable entertainment.
10 Minutes Gone is clumsy and cliché-ridden, and populated by two accomplished action stars who look like they just want to get through this job as quickly as possible.