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In southwestern China, state athletic coaches scour the countryside to recruit poor, rural teenagers with a natural ability to throw a good punch. As these young boxers develop, the allure of turning professional for personal gain and glory competes with the main philosophy behind their training – to represent their country.
Its brutality is unacceptable to Buddhism and Confucianism yet is increasingly appealing to young men (and women). And in a country that still professes socialism, it's fiercely individualistic. There are no collective work groups in the boxing ring.
Illustrating the film's rags-to-ring narrative with panoramic mountain views and compact shots of young bodies punching their way up the food chain, Mr. Sun straddles ancient and modern, tranquillity and turmoil, with equal sureness.
As he did in his Three Gorges Dam documentary "Up the Yangtze," Chang examines how a particular strain of Western culture promises opportunity and prosperity for Chinese youth, even as it remains a continual source of intergenerational tension.
As with his previous film, director Chang nurses a compelling drama from a multilayered cultural reality, at once intimate and unfathomably large in implications.
In the end, once we realize the title doesn't refer to these bantams' weight class but to their strength of heart, or something, the film feels blandly respectful and, oddly enough, apolitical.
It's really about the ways in which Chinese westernization clashes with the traditionalism of Confucian teachings. It's about competition versus piety.
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WHAT ARE CRITICS SAYING?
Washington Post by
The New York Times by Jeannette Catsoulis
Variety by Justin Chang
Time Out by Keith Uhlich
The Globe and Mail (Toronto) by Liam Lacey
Village Voice by Michael Atkinson
Christian Science Monitor by Peter Rainer
New York Post by V.A. Musetto