70
A sure-footed handling of tangled emotional issues creates an involving if small-scale feature.
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What are people saying?
What are critics saying?
58
Who are these people? Why should we care about them? Not only does this inauspicious debut struggles to answer those basic questions, it never finds a believable way to ask them.
60
The Guardian by Peter Bradshaw
It’s an engaging piece of work from Merlant who has a real sense of directing an ensemble of actors.
25
The Playlist by Warren Cantrell
Without more from the characters, it just doesn’t come together. Merlant does shoot it all well, though, and keeps things moving so that the audience has little time to ponder the moral implications of what’s going on. This is a dubious plaudit, perhaps, yet one of the few available to Mi Iubita, Mon Amour.